Morelos — Zapata Part 1

First Published on Mexico Connect
March 1, 2007

Travel the Zapata Route in Morelos Mexico Part 1The Land Was in His Heart

copyright Julia Taylor 2007: Ruta de Emiliano Zapata

By Julia Taylor

At the heart of liberty is land. Emiliano Zapata knew this better than anyone; his slogan was “Tierra y Libertad!” (Land and Liberty!) He was born in the heart of the state of Morelos and today you can travel la Ruta de Zapata copyright Julia Taylor 2007: Ruta de Emiliano Zapata(The Zapata Route). In the course of one day you can learn about Emiliano Zapata and his fight against the exploitation of his people in the best way to do that – by moving through his land.

Traveling through his home area you can see both the open spaces through which he rode and the irrigated sugar cane fields that are copyright Julia Taylor 2007: Ruta de Emiliano Zapatastill in production today. If you can speak Spanish, you will talk to the people who still inhabit his land, living their daily lives, preserving their history, and preparing their message for future generations. You will come away knowing that he was a real man, of great strength, determination, and ideals, copyright Julia Taylor 2007: Ruta de Emiliano Zapatawho lived his life as a Mexican; defining himself between the extremes of poverty and Spanish class-ism; excelling in horsemanship, leadership, and just as macho as they come.

Emiliano Zapata a Powerful Force

copyright Julia Taylor 2007: Ruta de Emiliano ZapataOn August 8, 1879, in the middle of the rainy season, a powerful force came into the world in the usual way. Gabriel Zapata and his wife Cleofas Salazar named him Emiliano Zapata Salazar. He was the ninth of ten children and grew up learning the ways of farming corn and dry season watermelons as well as raising cattle and horses, in the scrub forests that surrounded his home in Anenecuilco, Morelos. His family was not rich. He lived with them in a two room adobe house and dressed in the traditional white manta clothing. Actually, though, he was quite lucky. His father owned land and the family was able to make a living without getting sucked into debt slavery on the sugar plantations (haciendas) which were increasingly being given control over the land in the regions surrounding his home town.

Emiliano Zapata grew into an expert horseman and dressed in the tight legged trousers, suit coat and vest of a rich man as soon as he could afford it. In the museum in Anenecuilco there is a story about him putting real coins onto his first pair of suit pants. Emiliano was trusted by the people of Anenecuilco and at age 30 (in 1909 one year before the start of the revolution) he was elected into a leadership role by his community. From this point on he never backed down from his fight to return the land to the people.

Sometimes this can seem like ancient history, but it’s not. Our grandparents could have known Zapata.

Zapata’s Home and Another Powerful Force

copyright Julia Taylor 2007: Ruta de Emiliano ZapataIn Anenecuilco, Morelos you can see the walls that sheltered Emiliano and his family as he was growing up. Their solid adobe blocks give off a comforting stillness from copyright Julia Taylor 2007: Ruta de Emiliano Zapatabeneath a soaring white tent within the grounds of the Museo Casa de Zapata (House of Zapata Museum). This is the first thing that you will see as you pass through the gates at the entryway to the museum. In the air there is a light touch of the smell of cattle, just as there would have been when Zapata walked there.

The curator of this museum, Lucino Luna Dominguez is another powerful force born in Anenecuilco, and I found him watering the museum’s small botanical garden. The groundskeeper had a problem with his eyes and Don Lucino had volunteered to take over the watering for the day. He welcomed me calmly and within a few moments of talking to him, I knew that the museum was his passion. He’s been curator for 13 years now and is personally involved in its growth as well as its relationship with the community of Anenecuilco.

copyright Julia Taylor 2007: Ruta de Emiliano ZapataOn the Sunday that we visited there was a group of young people painting at easels set up in the shade of a tree in what used to be Zapata’s “yard.” Their presence there wasn’t coincidental; they were there because of Don Lucino’s vision of what the museum is and can become for his community. He explained to me that they were painting illustrations of local legends as part of a project to create a book of Anenecuilco’s traditional legends. He tells young people the legends and it’s their job to paint events in each one. This is just how Don Lucino thinks. He has this uncanny understanding of how to make history valuable in the present for people of all ages.

He says that the town of Anenecuilco is fighting to show the world the unknown Emiliano Zapata. During my visit he shared some details over which he disagrees with the standard historical account of Emiliano Zapata. These variants are based upon his own research of documents stored by the church and interviews he has conducted with the elders of Anencuilco. One such detail is the number of men who accompanied Zapata and his brother as they first rode out to engage in armed conflict. He says that at that time there were 300 people in the small town and that 25 men left that day. Apparently, the “official” version says that only 3 rode out. This would be an insulting inaccuracy to the now old people who, as children, watched the men gather and mount up.

copyright Julia Taylor 2007: Ruta de Emiliano ZapataAs we stood in the garden, the newly rebuilt, L-shaped museum was to our right and behind us. Everything inside is carefully planned. The air is naturally cool. The lights are low with the displays illuminated by carefully designed lighting. You weave through loosely separated “rooms,” which first describe the people of Anenecuilco and their horrendous loss of land, water, and freedom to the sugar plantations, called haciendas. Next, Emiliano’s history and life is described within this context.

copyright Julia Taylor 2007: Ruta de Emiliano ZapataThe contextualization was one of the two things that really impressed me about the museum. So many museums in Mexico are a series of items with signs underneath that leave the reader with more questions than answers (even if you read Spanish perfectly). I’ve often joked about the state-the-obvious style of Mexican museums. You are looking at an ancient piece of pottery with some black designs painted on it and the sign says, “Pre-Columbian pottery with black designs typical of this region.” Museo Casa de Zapata doesn’t fall into this trap.

copyright Julia Taylor 2007: Ruta de Emiliano ZapataAs you study items from the era and old photos of Zapata you are carried along by relaxing guitar music which forms part of a movie that you see in the second to last room. Standing in the same room as Zapata’s guns and his saddle you watch this movie, projected onto a curved, white wall with time advance scenes using historical and current photos, an aerial shot of the town and real people’s voices. The movie was made by El Grupo Mundo with the help of SECTUR (the state tourism department). Don Lucino took the filmmakers out to get the shots they needed for the film and, even though he doesn’t say it, I think he had more than that to do with the content.

copyright Julia Taylor 2007: Ruta de Emiliano ZapataDon Lucino has made it an important part of his mission to gather and preserve items belonging to Emiliano Zapata and his men. He goes personally to people, many of them elders, and explains to them how important their items are in preserving the story of Zapata and Anenecuilco; that they will last forever, long after we have departed this life. He is particularly glad to have the .30.30 carried by Zapata on that first day, donated to the museum by Marcos Manuel Suárez Gérard, the secretary of tourism. He also has his saddle mounted on a tall stand for all to see (also donated by Marcos Manuel Suárez Gérard). I almost talked him into letting me take a picture of him resting his hand on this saddle to accompany this article, but he decided to abide by the no-flash rule in order to protect it and I was without a tripod.

copyright Julia Taylor 2007: Ruta de Emiliano ZapataDon Lucino had come inside to tell a little about the items in the museum. We were talking and two little children had brought their dump truck inside to play in the open area in front of the curved screen. He stopped talking to say, “Hey kids, go play in the hallway outside, please.” The understanding, gentle tone of his voice impressed me. He wasn’t “the man in charge,” he was a kind adult who wants everyone to be comfortable in his museum. He is skilled at teaching people and soon had a small audience looking with appreciative glances at the artifacts and asking questions. He uses a story-telling style that is special to the oral tradition of Mexican country people, which you have to listen to fully appreciate.

copyright Julia Taylor 2007: Ruta de Emiliano ZapataThe guitar music made my experience in the main part of the museum relaxed and pleasant, but my favorite room in the museum is the last one. It is a small theater, with benches, and black curtains keeping the ambient light out. There is a touch-screen monitor on the wall where you select the movie you would like to see. When I walked in, there were elders talking about what they remembered about Zapata. The image is about 8 feet by 10 feet and large enough to relax and watch. My favorite was the clip of Zapata’s step-daughter, now probably in her 70s. She describes herself as his daughter’s sister and shows us a photo of him. The scene was shot in an outdoor kitchen of a tiny Mexican house. Just like Don Lucino, she’s the real thing.

copyright Julia Taylor 2007: Ruta de Emiliano ZapataI asked Don Lucino how he became interested in Emiliano Zapata and he told me that when his grandfather Fidel Luna Franco took him to work with him, he would tell him the stories of his days with Zapata. Mr. Luna Franco planted his fields and fought along side of Emiliano Zapata. Through his grandfather’s oral tradition Don Lucino was kept in touch with these experiences. To Don Lucino, Emiliano Zapata is not just a historical figure; he is a real man who lived a real life.

Not only does Casa Museo de Zapata teach us about the history of Emiliano Zapata, thanks to Don Lucino Luna Dominguez, it teaches us about history itself. What is history? Who should tell it? What form should history take? Should it be oral, written, or pictorial? How does history affect us in our daily lives?

Next month on Mexico Connect: Read Travel the Zapata Route in Morelos Mexico Part 2 – His Heart Stopped Beating, along with full driving directions so that you too can retrace the Zapata Route.

5 comments

  1. JC Brown Jun 8

    How would one go about requesting a photograph of the actual weapon(s) of Emiliano Zapata?

  2. Julia Taylor Jun 8

    JC Brown,
    You have to do things face-to-face in Mexico, so my best suggestion is to go do the Ruta de Zapata and ask people how you could get photos. You could try contacting the museums and see if anyone replies….

  3. ja corderp Sep 11

    Dear Julia, Nice article. is the rifle the same one in the famous picture of Zapata? If so, do you know the make? I have asked collectors and no is sure. Thanks,

  4. Julia Taylor Sep 11

    Dear Ja Corderp,

    I’m glad you enjoyed the article. I’m not sure about the rifle.

    Regards, Julia C Taylor

  5. Honorio Lopez May 10

    Best I ever read now I know Zapata still alive I grew up in Morelos and for long time I forgot where I come from thanks to every person who put this in the web

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